Belinda Carlisle returns to UK in Autumn 2019 with a special concert series celebrating 30 years of her iconic album Runaway Horses.
8pm, Emergency Tiara
9pm, Belinda Carlisle
10.30pm, Finish approx.
Rock stars come and rock stars go. In an everchanging landscape of shifting musical trends, few artists stand the test of time. Belinda Carlisle is one of those rare talents who continues to remain relevant after nearly four decades in the business. Amidst changing tastes, the gifted and glamorous singer-songwriter has indelibly touched the hearts of pop fans around the world with her unique blend of gutsy vocals, emotively charged melodies and picturesque lyrics.
With a multi-dimensional, internationally acclaimed recording catalog and countless tours showcasing her chameleonic musical prowess, the woman who began her career as co-founder and lead vocalist of groundbreaking all-female new wave/rock band The Go-Go’s has amassed worldwide sales in excess of 15 million albums and singles. The Go-Go’s played a pivotal role in setting the tone of 1980s pop with their self-penned, multi-platinum debut album, Beauty and the Beat. Buoyed by Carlisle’s unmistakably emotive and edgy phrasing, the international top-10 singles “Our Lips Are Sealed” and “We Got the Beat” became enduring anthems for independent women from ages eight to 80 while redefining traditionally restrictive notions of so-called “girl groups.”
When the Go-Go’s went their separate ways in 1985 after three game-changing LP’s (boasting further timeless anthems like “Vacation” and “Head Over Heels”), Belinda wasted no time in greasing the wheels for a solo career based on musical individuality and authenticity. Teaming with prolific film, TV, and record producer Michael Lloyd, she quickly released Belinda in 1986 and scored an out-of-the-box, gold-certified smash via the romantic slice of classic pop that is “Mad About You.” The unforgettable tune rocketed to #3 on the US pop charts, and its accompanying music video became a staple on MTV. A home video release filmed at The Roxy Theatre in Los Angeles previewed the energetic stage presence that legions of fans would come to associate with Belinda.
Heaven on Earth, Carlisle’s 1987 sophomore solo album, was undoubtedly the catalyst in transforming her from a successful artist with a loyal following to a household name in demand in arenas across the globe. The album’s lead-off single, “Heaven Is a Place on Earth,” climbed the top ten in no less than twelve countries while achieving multiple gold and silver certifications. Bolstered by an iconic video directed by Academy Awardwinning actress Diane Keaton, the anthemic, driving pop gem marked the first of more than twenty top-charting global singles from five Carlisle albums reaching gold, platinum and multi-platinum sales marks.
The Grammy-nominated “Heaven Is a Place on Earth” was followed in 1988 by “I Get Weak” and “Circle in the Sand,” which put Belinda-mania into full effect alongside the commencement of Carlisle’s Good Heavens tour. The next year, she upped the ante even further with the Runaway Horses album and world tour. Six intercontinentally impactful singles, including “Leave a Light On” (featuring none other than The Beatles’ George Harrison on slide guitar), “La Luna,” and “Summer Rain,” kept her on the charts
into early 1991, and she wasted no time entering the studio once again for the eclectic follow-up, Live Your Life Be Free. Blending her signature classic pop-inspired sound with hip dance influences, the album yielded a handful of hits across Europe including her own “Little Black Book” as well as “Half the World.”
The mid-‘90s signaled significant changes in Carlisle’s career and life. Becoming a mother, she relocated from her native Los Angeles to southeastern France and took creative control of her fifth solo disc, 1993’s Real. She served as co-producer and cowriter for over half of the album, which simmered with punk-driven undertones that informed her musical beginnings in the late ‘70s while still remaining boldly modern—as evidenced by the top-20 UK hit, “Big Scary Animal.” After a brief reunion with The GoGo’s in 1994, she expanded her solo horizons further with the 1996 release of A Woman and A Man. The song selection showcased her vocal command in a variety of musical contexts via singles such as the sultry and soulful “Love in the Key of C” and the pensive West Coast Pop ballad “California,” featuring none other than The Beach Boys’ Brian Wilson on backing vocals.
Although a decade would pass before the release of her next studio album, Carlisle broadened her horizons in a number of outside ventures. Aside from actively engaging in work for non-profit organizations such as PETA and Greenpeace, she became a world traveler (outside of the touring circuit, that is) and reunited with her original bandmates for 2001’s God Bless The Go-Go’s. Several years later, she put into practice her love of the French language and her adopted homeland’s chanson style for her seventh solo set, 2007’s Voila. Showcasing her vocal savoir faire on coveted nuggets such as “La Vie En Rose,” “Ne Me Quitte Pas,” and “Bonnie Et Clyde,” the album featured the keyboard wizardry of Brian Eno and backing vocals by cross-cultural sensation Natacha Atlas.
2010 saw the publication of Carlisle’s revealing autobiography, Lips Unsealed, in which she discussed in depth the fascinating late-‘70s Los Angeles punk scene of which she was an integral part and her personal hard-won victory over substance abuse. The following year, she once again reteamed with The Go-Go’s for the 30th-anniversary ‘Ladies Gone Wild’ tour, during which time the group received a star on the Hollywood Walk of Fame. In 2014, she widened her humanitarian efforts as co-founder of the India-based Animal People Alliance, which helps both street animals in distress and impoverished women through fundraising and education.
After The Go-Go’s farewell tour in 2016, Carlisle embarked upon her most adventurous musical project yet. Adapting her longstanding love for the practice of Kundalini yoga to her enduring passion for performing, she upped the ante on her studies of the form’s musical premise: Sikh chants performed in Gurmukhi scripture. Combining the music’s traditional mantras with eclectic raga rock sounds, 2017’s Wilder Shores broke new artistic ground with its seamless integration of time-honored Hindu teachings into a modern American pop song structure. The album is Carlisle’s first new full-length recording for Edsel Records, the revered UK label which issued her 2013 comeback pop hit, “Sun”—as well as her entire solo back catalogue in special expanded CD/DVD
In 2018, Carlisle is keeping her touring schedule filled with dates across the UK as well as America, where she will co-headline the ‘Retro Futura Tour’ with ABC in June and July. The spring will bring previews in San Francisco of Head Over Heels, a new musical featuring songs of The Go-Go’s. Produced by Gwyneth Paltrow, the show is set to debut on Broadway at the Hudson Theatre in the summer.
With Carlisle’s string of ‘80s and ‘90s hits recently coming to the attention of a new generation via Edsel’s much-lauded 18-track audio/video set The Collection, she is poised to retain her position as a prime purveyor of timeless pop. Her commitment to her craft and her well-rounded approach to life have kept her going strong throughout her career, and she shows no signs of slowing down.
Why not begin your evening with a bite to eat? Buy your gig meal in advance and choose your menu options at the bar.
MUSIC’S NOT DEAD
Bexhill’s independent record store Music’s Not Dead will be open in the Café Bar before the show and until the start of the main act.
We are part of #1066MusicCity
Please note that Booking Fees apply on the following transactions:
Online: £1.50 per ticket + £1.50 postage or free collection at the Box Office.
Print at home tickets: These can be emailed to you on the account you have registered with DLWP free of charge (booking fees apply)
Telephone: £3.50 per transaction + £1.50 postage or free collection at the Box Office
There will be a cheaper booking fee for events under £10 (booking fee = £1.00) and under £5 (booking fee = 50p).
Free events booked online are not subject to a booking fee.
There is no booking fee for tickets purchased over the counter.
Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be send 10 – 14 days before the show date.
All online bookings include a Restoration Levy of £1 and will be subject to an additional £1.50 booking fee per ticket. Postage of tickets adds an additional £1.50 postage charge. Other options include having your tickets emailed to the email registered to your DLWP account to print from home or free collection at the Box Office.
The following are exempt from the Restoration Levy: Learning & Participation events, events associated with exhibitions, family shows that include a child ticket price, OUTLANDS events and Music’s Not Dead events in our Café bar. Also exempt are those organisations that hire the Pavilion where they are offered a community rate, amateur shows or are in receipt of a concession from Rother District Council.
Full terms and conditions can be found here :
Please be aware that we operate no re-entry for gigs. This means that once you have entered the building, you cannot go out and re-enter. This policy is in line with other major music venues across the UK and put in place on police advice. No re-entry is clearly signposted as you come through security on the front door.
There is a fenced-off area on the terrace for people who go out to smoke or vape.
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information.
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456
- By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 8pm. After this time parking is free. There is also lmiited free car parking along the seafront.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
Assistance Dogs are permitted into the building.
Please contact the Box Office on 01424 229 111 to arrange a visit.
Facilities for disabled visitors
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
- Large print season brochures
Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.