If you are going to a Beth Nielsen Chapman concert get ready to laugh and cry and, well, just fasten your seat belt. One thing you can count on is one great song after another and some fascinating stories woven between them.
With support from Scott Mulvahill
Twice Grammy-nominated Nashville based, Beth Nielsen Chapman has released many solo albums and written seven #1 hits and songs recorded by Bonnie Raitt, Willie Nelson, Bette Midler, Elton John, Neil Diamond, Michael McDonald, Keb Mo’, Roberta Flack, Waylon Jennings, Indigo Girls, & Faith Hill’s Mega-hit This Kiss, ASCAP’S 1999 Song Of The Year. Her songs have been featured in film and TV and as an artist Beth’s work has been diverse, from singing in nine different languages on Prism (2007) to The Mighty Sky (2012) Grammy-nominated astronomy CD for kids of all ages in addition to her deeply moving body of work as a singer-songwriter throughout her other releases. 2014’s UnCovered in which she reclaims her hits, features legendary guests from Vince Gill to Duane Eddy. Sand & Water (1997), written in the wake of her husband’s death, was performed by Elton John to honor the memory of Princess Diana. In the fall of 2016, Beth, along with Olivia Newton-John & Amy Sky created and toured behind an inspiring project called Liv On – A New Album to Aid & Comfort Those Experiencing Grief & Loss While Using the Power of Music To Heal.
Inducted into the Songwriter’s Hall of Fame in 2016, Beth is also a breast cancer survivor and environmentalist and considers herself a creativity midwife, passionate about inspiring others to fully blossom into their creative life.
6pm Building opens
7pm Auditorium doors
7.30pm Scott Mulvahill
8.20pm Beth Nielsen Chapman
All timings are approximate and subject to change
No flash / recording
All ages. Under 14s must be accompanied with an adult.
This is the new date for Beth Nielsen Chapman, rescheduled from 11 May 2022. All tickets remain valid and you do not have to contact the Box Office.
Throughout her career, Beth has been in demand as a keynote speaker and teacher of workshops on creativity, songwriting, grief, and healing through art, using a unique inspiring approach to tapping into the creative process. She has also taught at Universities internationally including the Royal Scottish Academy of Music & Drama, The Liverpool Institute of Performing Arts, and the Berklee School of Music among others.
Hearts Of Glass, Beth’s 2018 album, riveting and sparse, is a powerful collection of songs that reach into the place within us where vulnerability meets strength which is often where Beth’s songs will take you, right into the center of the full beautiful dance of contradictions that inhabit love and life.
Early next year Beth will debut “The Song School Podcast” which will feature legendary guest songwriters describing what they consider the “perfect song” as well as on the spot critiques for songs submitted, both live in the studio and down the phone line from the other side of the world. After the feedback, any songs that are rewritten and improved will be brought back to the show. All about making good songs GREAT!
Frontman. Singer-songwriter. World-renowned upright bassist. Multi-instrumentalist. For the past decade, Scott Mulvahill has left his unique mark on the intersecting worlds of Americana, bluegrass, folk, jazz, rock & roll, and roots music. Raised in Houston, Mulvahill cut his teeth as a member of Ricky Skaggs’ acclaimed band, Kentucky Thunder. The group toured internationally for five years, backed by the bottom-heavy pulse of Mulvahill’s upright bass. Along the way, he also composed music of his own, shining a light on the genre-jumping influences — Paul Simon’s sophisticated pop, James Taylor’s folk, Jaco Pastorius’ innovative jazz, and more — that would eventually inspire the material on his 2018 solo debut, Himalayas. His performances as part of Skaggs’ nightly shows laid the brickwork for Mulvahill’s transition from hotshot sideman to compelling frontman.
Encouraged by musical mentor Bruce Hornsby, Mulvahill developed a unique approach to his songwriting — one that mixed his chops as an upright bassist with hook-heavy melodies and compelling narratives. A true “musician’s musician,” Mulvahill fills his solo debut with complex fingerwork and innovative progressions. At the same time, Himalayas is a song-driven record that focuses its attention not upon Mulvahill’s virtuosity, but upon the sheer listenability of his material. This is acoustic-leaning roots music of the highest caliber, shot through with elastic vocals, dobro, fiddle, and the honest, biographical lyrics of a songwriter who gave up an enviable position in Skaggs’ band to pursue his own muse.
“I wanna go over where I’ve never been,” he sings during the sparsely-decorated title track, one of several tracks to deal with the universal themes of facing one’s fears, taking leaps, and chasing down new horizons. Those messages are reflected in Mulvahill’s own career, as he pioneers a sound centered upon his voice and upright bass.
“As important as the bass is to the sound of my music, it’s not a crutch,” he says. “To me, the songwriting, the voice, and the message are what really matter. Himalayas is based upon this idea that there’s more to your life than your current challenge — that any setback is surmountable. There’s a ‘we’re in this all together’ mentality to these songs.”
Although bound together by universal themes, Himalayas also makes room for a diverse range of sounds. “Begin Againers” kickstarts the album with several bars of gorgeous a cappella, while “Gold Plated Lie” nods to the galloping urgency of rock & roll. Elsewhere, Mulvahill duets with Alanna Boudreau during a gospel-inspired cover of Paul Simon’s “Homeless,” then serves as a one-man band during tracks like “Fighting for the Wrong Side” and “Indefensible.” Together, these songs bridge the gap between disparate worlds — roots music, chamber music, free jazz, classic pop, and beyond — with ease and eclecticism.
“For years, I had a split personality to my music career,” says Mulvahill, whose solo career has already racked up a long list of milestones, including a tour with recent multi-Grammy winner Lauren Daigle, an NPR Tiny Desk concert, a tour with guitar phenom Cory Wong, and a debut on the Grand Ole Opry. “I was known as a bass player, but I was also a singer-songwriter. Himalayas combined those two halves together. It makes a statement about what can be done with an upright bass, while leaving room for me to explore other sounds on future albums.”
2020’s “Creative Potential” and 2021’s “Surrounded” EPs have found him exploring those other sounds while keeping true to the core of his musicianship, songwriting, unique concept of artistry. For a lifelong musician like Scott Mulvahill, the climb is never over.
Please note that Booking Fees apply on the following transactions:
Online: £1.50 per ticket + £1.50 postage or free collection at the Box Office.
Print at home tickets: These can be emailed to you on the account you have registered with DLWP free of charge (booking fees apply)
Telephone: £3.50 per transaction + £1.50 postage or free collection at the Box Office
There will be a cheaper booking fee for events under £10 (booking fee = £1.00) and under £5 (booking fee = 50p).
Free events booked online are not subject to a booking fee.
There is no booking fee for tickets purchased over the counter.
Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be sent 10 – 14 days before the show date.
All tickets include a Restoration Levy of £1 and will be subject to an additional £1.50 booking fee per ticket. Postage of tickets adds an additional £1.50 postage charge. Other options include having your tickets emailed to the email registered to your DLWP account to print from home or free collection at the Box Office.
The following are exempt from the Restoration Levy: Learning & Participation events, events associated with exhibitions, family shows that include a child ticket price, OUTLANDS events and Music’s Not Dead events in our Café Bar. Also exempt are those organisations that hire the Pavilion where they are offered a community rate, amateur shows or are in receipt of a concession from Rother District Council.
Full terms and conditions can be found here.
Book online: Pre-show dining can be booked online as an add-on when purchasing tickets for selected events. You will be purchasing a ticket to guarantee your meal before the show.
Please note you must be a ticket holder to the show to book pre-show dining.
Already booked your tickets? If you’ve already booked tickets for a show and would like to add dining, please contact Box Office: email@example.com
On the night: If you have pre-booked please come to the bar to order from the gig menu and sit at one of the reserved tables.
Please be aware that we operate no re-entry for gigs. This means that once you have entered the building, you cannot go out and re-enter. This policy is in line with other major music venues across the UK and put in place on police advice. No re-entry is clearly signposted as you come through security on the front door.
There is a fenced-off area on the terrace for people who go out to smoke or vape.
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information.
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456
- By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 8pm. After this time parking is free.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
Assistance Dogs are permitted into the building.
Please contact the Box Office on firstname.lastname@example.org to arrange a visit.
Facilities for disabled visitors
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
- Large print season brochures
Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.