Fracture Patterns is a live collaboration between UK artist duo Semiconductor and New York musician and producer Eartheater.
THIS PERFORMANCE CONTAINS FLASHING IMAGES AND STROBE LIGHTING EFFECTS
Main Act: 9pm
This original commission by the Outlands Network combines large-scale multi-channel video works by Semiconductor with a new live soundtrack and performance by Eartheater, fusing both into a compelling theatrical production.
Eartheater explores experimental pop and fantasy combining her genre-breaking musical production with a singular visual aesthetic. Semiconductor’s visually and intellectually engaging artworks explore the material nature of our world and how we experience it through the lenses of science and technology.
Together, they invite audiences into the noise field, as they explore the collision and collusion of their respective practices.
An exciting one-off opportunity for audiences to participate in a free vocal workshop with musician and artist Alexandra Drewchin (Eartheater) and to take part in a performance of new Outlands commission Fracture Patterns. To sign up for the Beyond The Fray workshop, click here.
Supporting act: Olivia Louvel – Minimal, weird and wonderful electronica with a human breath.
Olivia Louvel is a composer and sound artist who draws upon voice, computer music and digital narrative. Her largest project to date Data Regina is a body of work, which gathers electronic songs ‘The Antechamber’, along with a series of instrumentals, ‘The Battles’, a sonic landscape inspired by the 16th century conflicts on the Anglo-Scottish border.
About the artists
Semiconductor are interested in the material make-up of our world, crafting responses to themes which range in scale from the cosmological to the quantum. Resolved in sublime audio-visual installations, these engagements have explored the chaotic realms of discarded data, seismic turbulence and sub-atomic particle collision. In their words: “we see noise as a primordial soup where things both emerge from, and return to, through interference.”
Eartheater works across a multi-faceted practice that combines genre-breaking musical production with a singular visual aesthetic. Utilising multiple layers of vocals and a sonic palette that traverses both the analogue and digital to create rich and detailed compositions, engaging in noise, but moving above and beyond straightforward transgression, Eartheater allows her compositions to linger playfully and productively at the blurred edges between dissonance and harmony.
For more information on OUTLANDS, visit their website.
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Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
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Facilities for disabled visitors
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Facilities for the hard-of-hearing
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