We are delighted to announce that the legendary artist Graham Nash - of the Hollies and Crosby, Stills and Nash – will be performing an evening of songs and stories at the Pavilion in July.
Doors – 7pm
Graham Nash – 8 – 9pm
20 minute interval
Graham Nash – 9.20pm
Curfew – 10.30pm
Towering above virtually everything that Graham Nash has accomplished in his first seventy-five years on this planet, stands the litany of songs that he has written and introduced to the soundtrack of the past half-century. His remarkable body of work, beginning with his contributions to the Hollies opus from 1964 to ’68, including Stop Stop Stop, Pay You Back With Interest, On A Carousel, Carrie Anne, King Midas In Reverse, and Jennifer Eccles, continues all the way to This Path Tonight (2016), his most recent solo album.
The original classic union of Crosby, Stills & Nash (& Young) lasted but twenty months. Yet their songs are lightning rods embedded in our DNA, starting with Nash’s Marrakesh Express, Pre-Road Downs (written for then-girlfriend Joni Mitchell), and Lady Of the Island, from the first Crosby, Stills & Nash LP (1969). On CSNY’s Déjà Vu (1970), Nash’s Teach Your Children and Our House beseeched us to hold love tightly, to fend off the madness that was on its way.
Overlapping CSNY, Nash’s solo career debuted with Songs For Beginners (1971), whose Chicago/We Can Change the World and Military Madness were fueled by the Long Hot Summer, the trial of the Chicago Eight, and the ongoing Vietnam war. Songs from that LP stayed in Nash’s concert sets for years including I Used To Be A King and Simple Man. His next album, Wild Tales (1974), addressed (among other issues) unfair jail terms for minor drug offenses (Prison Song), unfair treatment of Vietnam vets (Oh! Camil), the unfairness of fame (You’ll Never Be the Same), and his muse, Joni (Another Sleep Song).
The most resilient, long-lived and productive partnership to emerge from the CSNY camp launched with the eponymously titled Graham Nash/David Crosby (1972), bookended by Nash’s Southbound Train as the opening track and Immigration Man as the closer. The duo contributed further to the soundtrack of the ’70s on their back-to-back albums, Wind On the Water (1975) and Whistling Down the Wire (1976).
On the CSN reunion studio LP (1977), Nash took top honors with Just A Song Before I Go (written in the space of one hour, and a Top 10 hit single). Lightning struck once more on CSN’s Daylight Again (1982), on which Nash penned their second (and final) Top 10 hit, Wasted On the Way, lamenting the energy, time and love lost by the group due to years of internecine quarrels.
Nash’s passionate voice continues to be heard in support of peace, and social and environmental justice. The No Nukes/Musicians United for Safe Energy (MUSE) concerts he organized with Jackson Browne and Bonnie Raitt in 1979 remain seminal benefit events. In 2011, Nash was instrumental in bringing MUSE back to the forefront with a concert to benefit Japan disaster relief and groups promoting non-nuclear energy worldwide. That same year, he and Crosby were among the many musicians who made their way to the Occupy Wall Street actions in lower Manhattan.
In September 2013, Nash released his long-awaited autobiography Wild Tales, which delivers an engrossing, no-holds-barred look back at his remarkable career and the music that defined a generation. The book landed him on the New York Times Best Sellers list, and was released in paperback in late 2014.
In recognition for his contributions as a musician and philanthropist, Nash was appointed an Officer of the Order of the British Empire (OBE) by Queen Elizabeth. While continually building his musical legacy, Nash is also an internationally renowned photographer and visual artist. With his photography, Nash has drawn honors including the New York Institute of Technology’s Arts & Technology Medal and Honorary Doctorate of Humane Letters and the Hollywood Film Festival’s inaugural Hollywood Visionary Cyber Award. His work is collected in the book Eye to Eye: Photographs by Graham Nash; he curated others’ work in the volume Taking Aim: Unforgettable Rock ‘n’ Roll Photographs Selected by Graham Nash (2009).
Nash’s work has been shown in galleries and museums worldwide. His company Nash Editions’ original IRIS 3047 digital printer and one of its first published works—Nash’s 1969 portrait of David Crosby— is now housed in the National Museum of American History at the Smithsonian Institution in recognition of his revolutionary accomplishments in the fine arts and digital printing world.
Eat before the show
Why not begin your evening with a bite to eat? You can now pre-book your meal when booking your tickets.
- Chargrilled handmade cheeseburger with iceberg relish, chips and onion rings
- Breaded goujons of local fish with a crunchy veg salad, chips and caper mayonnaise
- Roasted vegetable and goats cheese lasagne with mixed leaf salad and garlic bread (V)
- Spicy lamb meatballs, couscous, and mint yoghurt
- Spiced potato wedges with a cucumber & mint dip (V)
- Chips with homemade mayo
- Tomato, basil, and red onion salad (V)
Please note that Booking Fees apply on the following transactions:
Online: £1.50 per ticket + £1.50 postage or free collection at the Box Office.
Print at home tickets: These can be emailed to you on the account you have registered with DLWP free of charge (booking fees apply)
Telephone: £3.50 per transaction + £1.50 postage or free collection at the Box Office
There will be a cheaper booking fee for events under £10 (booking fee = £1.00) and under £5 (booking fee = 50p).
Free events booked online are not subject to a booking fee.
There is no booking fee for tickets purchased over the counter.
Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be sent 10 – 14 days before the show date.
All tickets include a Restoration Levy of £1 and will be subject to an additional £1.50 booking fee per ticket. Postage of tickets adds an additional £1.50 postage charge. Other options include having your tickets emailed to the email registered to your DLWP account to print from home or free collection at the Box Office.
The following are exempt from the Restoration Levy: Learning & Participation events, events associated with exhibitions, family shows that include a child ticket price, OUTLANDS events and Music’s Not Dead events in our Café Bar. Also exempt are those organisations that hire the Pavilion where they are offered a community rate, amateur shows or are in receipt of a concession from Rother District Council.
Full terms and conditions can be found here: dlwp.com/terms-conditions-booking/
Book online: Pre-show dining can be booked online as an add-on when purchasing tickets for selected events. You will be purchasing a ticket to guarantee your meal before the show.
Please note you must be a ticket holder to the show to book pre-show dining.
Already booked your tickets? If you’ve already booked tickets for a show and would like to add dining, please contact Box Office: email@example.com
On the night: If you have pre-booked please come to the bar to order from the gig menu and sit at one of the reserved tables.
Please be aware that we operate no re-entry for gigs. This means that once you have entered the building, you cannot go out and re-enter. This policy is in line with other major music venues across the UK and put in place on police advice. No re-entry is clearly signposted as you come through security on the front door.
There is a fenced-off area on the terrace for people who go out to smoke or vape.
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information.
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456
- By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 8pm. After this time parking is free.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
Assistance Dogs are permitted into the building.
Please contact the Box Office on firstname.lastname@example.org to arrange a visit.
Facilities for disabled visitors
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
- Large print season brochures
Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.