As part of Independent Venue Week, we're please to present Gwenifer Raymond and Jim Ghedi for an intimate co-headline show.
Artist bio
Welsh instrumentalist Gwenifer Raymond, is set to announce her third studio album, to be released September 5th on Canadian label We Are Busy Bodies. Last Night I Heard the Dog Star Bark is a hybrid of the ancient and the futuristic, where the arcane etchings of occult folk horror fuse with the unfathomable equations of the cosmos. As celestial drones and mutant folk meet a frenetic blues that bends and twists like space-time, on her new album Raymond finds herself evoking the work of pioneering rocket scientists, the words of fictional hobo prophets and the concepts of mathematical infinity.
Raymond, via the circuitous trans-Atlantic journey of her demo – signed to San Francisco’s Tompkins Square Records in 2017, with who she released her first two albums. Her first proper gig was at the Thousand Incarnations of the Rose Festival in Maryland, where she hung with heroes such as Glenn Jones, Marisa Anderson, Daniel Bachman and Peter Walker and was presented by Henry Kaiser with a 1880s Joseph Bohmann guitar which she feels may be possessed by some fingerpicking demon.
The Guardian has described her as a “profound talent” whilst The Observer praised her “awe-inspiring technique and intense musicality”, and Uncut Magazine has championed her “fast-developing talents as a composer of eerie menace.” She has since toured Europe, the US and Canada with the likes of Michael Chapman, Michael Hurley, The Handsome Family, Lankum, Charlie Parr, Richard Dawson, Ryley Walker, and Squid.
On his new album Wasteland, Jim Ghedi has created something huge. Intense, brooding, bold, at times apocalyptic, and remarkably vast. A profoundly bold sonic statement that is some of the most rich, far-reaching and ambitious work that Ghedi has created to date – pushing the boundaries of what what folk music can be in 2025.
Wasteland is a record that is unafraid to plunge into the darkness of the modern world and embrace the weirder, edgier and more unnerving moments that come from doing so. It is an album that captures all the enormity of life from the micro to the macro, zooming in on the personal as well reflecting on broader societal issues.
“Wasteland is about the idea of a place once known or familiar that is now broken down and unrecognisable,” says Ghedi. “It’s about exploring the process of watching someone’s surroundings and environment collapse.” And within that you have a lot going on. “It also explores death, personal loss, grief, mental health and how the natural world provides solace and meaning for that loss and how these worlds blur into one another.”
Lead single ‘Wasteland’ sets the tone for the album, a remarkable and one of Ghedi’s entirely original composition. A stunning piece of work that while rooted in an environment being corrupted and broken – “there’s violence on these hills” Ghedi sorrowfully sings, before claiming this is no longer somewhere that can be called home – it is also a stirringly beautiful composition that soars and glides as it opens up, as sweeping strings swoop and in and out of Ghedi’s twangy electric guitar.
The accompanying video for ‘Wasteland’ was shot and directed by Jordan Carroll in various parts of the Peaks District. “The idea was initially inspired by the album artwork featuring Jim sitting in a quarry, dressed in a 17th-century gentry outfit. We asked ourselves: why is this character there, asleep on a stool? There was something fantastical about it, so we filled in the blanks and built a story around it.”
The decision to incorporate more fuller sounds, such as electric guitar and huge drums, results in a notable shift and evolution in tone for Ghedi. “The lyrical content needed something more band-driven and loud to deliver them,” he explains. “Incorporating the electric guitar in my songwriting was also a big part of opening the sound up, using drop tunings pushed me to use my voice in a wider range, which forced me to use falsetto a lot which I haven’t previously done before. That then opened the sound up and gave me creative ideas for bigger arrangements and to sonically really push things.”
Recorded over 2 years at Tesla Studios in Sheffield, with David Glover engineering and producing, the album features a wide cast of musicians such as David Grubb (fiddle), Daniel Bridgwood-Hill (fiddle), Neal Heppleston (bass), Joe Danks (drums), Dean Honer from I Monster (synths), Cormac MacDiarmada from Lankum (vocals), Ruth Clinton from Landless (vocals) and Amelia Baker from Cinder Well (vocals).
When Ghedi began working on this album he felt a little lost, unmoored, and unstable. Unsure of himself and the world around him. “I felt very frustrated with the state of England after moving back home to Sheffield from living in Ireland for a couple of years,” he recalls. Yet while this album is one that has unquestionably come from a tricky place for Ghedi on a personal level, it’s also a record that contains flashes of hope and beauty amidst agonising demise and loss. “It was definitely quite a dark time writing the album and working on it,” he says. “But it was also a joyous and uplifting experience. There was a real positive force around it and it felt quite cathartic and so much energy and enthusiasm was getting put into it. Also, I think this album is the closest I’ve got to the sound I’ve been working towards over the years. It feels like it’s at a place which most represents me.”
Despite all the turbulence that underpins this record, in the process of creating his masterpiece Ghedi has musically found a place he can now call home.
Listen to Wasteland here
EVENT INFORMATION
Doors: 7.30pm
This show is suitable for ages 14+
This event will take place in the First floor café of the De La Warr Pavilion.
We strongly recommend ticket buyers to take out Ticket Protection insurance with Secure My Booking available when you book your tickets at check out.
In accordance with Government legislation we display the total ticket cost at the top of each event webpage, these are inclusive of any mandatory additional fees such as restoration levies or booking fees.
Please note that Booking Fees apply on the following transactions:
Online: Tickets booked online are subject to booking fees when purchased through our website. E-tickets are emailed instantly on the account you have registered with DLWP, please check your Junk folder if they don’t arrive within 30 minutes. Customers can also download their tickets through our website within ‘My Account’.
Telephone: £3.50 per transaction + £2 postage or free collection at the Box Office.
In Person: There are currently no charges for booking tickets in person.
There is a £2 charge to post tickets.
We strongly recommend ticket buyers to take out Ticket Protection insurance with Secure My Booking available when you book your tickets at check out.
Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be sent 10 – 14 days before the show date.
Full terms and conditions can be found here.
Book online: Pre-show dining can be booked online as an add-on when purchasing tickets for selected events. You will be purchasing a ticket to guarantee your meal before the show.
Please note you must be a ticket holder to the show to book pre-show dining.
Already booked your tickets? If you’ve already booked tickets for a show and would like to add dining, please contact Box Office: boxoffice@dlwp.com
On the night: If you have pre-booked please come to the bar to order from the gig menu and sit at one of the reserved tables.
Please be aware that we operate no re-entry for gigs. This means that once you have entered the building, you cannot go out and re-enter. This policy is in line with other major music venues across the UK and put in place on police advice. No re-entry is clearly signposted as you come through security on the front door.
There is a fenced-off area on the terrace for people who go out to smoke or vape.
There are plenty of welcoming and good value B&Bs & boutique hotels in Bexhill. The De La Warr Pavilion regularly uses the following:
The Relais Cooden Beach Hotel and Spa
Situated on a private beach with uninterrupted views of the English Channel, this immaculately restored four-star hotel is just a 10-minute drive from De La Warr Pavilion. Receive 10% discount on rooms* from Sunday to Thursday (excluding Fridays and Saturdays) using the promo code DLWP. BOOK NOW.
*Offer available until 31 March 2026 (blackout dates apply). Free cancellation up to 24 hours before arrival. Paid partnership with The Relais Cooden Beach Hotel & Spa.
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information. - Taxis
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456 - By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
OR
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea. - Parking
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 10pm. After this time parking is free.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
If you have specific access needs for a daytime visit or for a bookable event, please email customerservice@dlwp.com or call 01424 229111
Current facilities are:
- Assistance Dogs are permitted into the building (not in the carpeted area of the Café Bar)
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events – please note that currently our balcony seating is not accessible for wheelchairs/walkers.
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
- Large print season brochures
Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.