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Liane Brandon, Anything You Want To Be, 1971, 8 mins. Courtesy of the artist.

A selection of short films in response to our current exhibition, Still I Rise: Feminisms, Gender, Resistance, Act 2.

Homework Screening responds to and expands on ideas within the exhibition Still I Rise: Feminisms, Gender, Resistance, Act 2. The films reflect the different ways that female artists and filmmakers have responded to a range of spaces, with unfolding interior narratives, unexpected social encounters and powerful performances.

Homework is a collaborative project developed by Sharon Haward and Clare Sheppeard that explores the contributions women artists, designers and architects made to the Modernist movement. Homework focuses on the idea that architecture can be a ‘protective shell against the world’ (Eileen Gray) rather than ‘a machine for living’. (Le Corbusier)

3-4.30pm

£7 per person
£5 DLWP Members and concessions
Unreserved seating

Programme

Interiors (2006) Ursula Mayer, 4 mins
Two women wonder through Ernő Goldfinger’s home in Hampstead, encountering a Barbara Hepworth sculpture yet never meeting.

Meshes in the Afternoon (1943) Maya Deren, 14 mins
A series of interconnected dreamlike sequences that show Deren observing a series of objects and herself in fragmented narrative.

Vivian’s Garden (2017) Rosalind Nashashibi, 30 mins
A mother and daughter’s shared house in the Guatemalan jungle acts as both refuge and source of fear as they are challenged by threats, floods, kidnappers and intruders.

Anything You Want to Be (1971) Liane Brandon, 8 mins
An early Women’s Movement film that shows a young girl being challenged to find her identity and be ‘who she wants to be’, while being continually foiled by sexual stereotypes and social expectations.

A Story From Circolo Della Rosa (2014) Alex Martinis Roe, 9 mins
Fragments from an oral history research project with members of the Milan Women’s Bookstore Collective are interwoven with the artist’s exploration of related archives, spaces and text.

La Chambre (1956) Chantal Akerman, 11 mins
An early example of experimental film by Akerman where the furniture and clutter of a small apartment becomes a moving still life.

Gray Matter (2015) Sharon Haward, 4 mins
Still images from the pages of old books on Eileen Gray are accompanied by a connected soundscape detailing pieces of furniture and architecture made by Gray.

Invocation I (2012) Amina Ahmed, 5 mins
A traditional gathering of women who come together in a busy public space in a process of collaborative healing.

Chameleon (1990) Tanya Syed, 5 mins
A woman is trapped in an interior landscape where the seen, recognised and unrecognised are encountered and framed by domestic interior architecture, until she reaches the door and ventures outside.

Booking information

Please note that Booking Fees apply on the following transactions:
Online: £1.50 per ticket + £1.50 postage or free collection at the Box Office.
Print at home tickets: These can be emailed to you on the account you have registered with DLWP free of charge (booking fees apply)
Telephone: £3.50 per transaction + £1.50 postage or free collection at the Box Office
There will be a cheaper booking fee for events under £10 (booking fee = £1.00) and under £5 (booking fee = 50p).
Free events booked online are not subject to a booking fee.
There is no booking fee for tickets purchased over the counter.

Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be send 10 – 14 days before the show date.

Full terms and conditions can be found here :
dlwp.com/terms-and-conditions/booking-information/

Staying locally

There are plenty of welcoming and good value B&Bs & boutique hotels in Bexhill. The De La Warr Pavilion regularly uses the following :

Travel information
  • By Rail
    Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
    There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
    Visit www.nationalrail.co.uk for up-to-date train travel information.
  • Taxis
    Town Taxis:  01424 211 511
    Parkhurst Taxis:  01424 733 456
  • By Car
    If driving from the London area:
    Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
    OR
    Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
    From the Brighton area:
    Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
  • Parking
    Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 8pm. After this time parking is free. There is also lmiited free car parking along the seafront.
Accessibility

Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.

Assistance Dogs are permitted into the building.

Please contact the Box Office on 01424 229 111 to arrange a visit.

Facilities for disabled visitors

  • Ramped access at the front of the building
  • A low counter at the Box Office and  Information Desk
  • Disabled toilets on two floors
  • A lift to all floors
  • Accessible galleries on both floors
  • An accessible Café
  • Spaces for wheelchairs in the auditorium for seated events
  • Ramped access in the auditorium for events during the day
  • Ramped access into the Studio
  • Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.

Facilities for blind or visually-impaired

  • Large print season brochures

Facilities for the hard-of-hearing

  • An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
  • British Sign Language interpretation tours of the building and exhibitions are available on request.