A very special new collaboration bringing together US mixed-media composer and saxophonist Matana Roberts and UK improviser and flautist Kelly Jayne Jones
The artists will weave their own approaches into live collaborative works informed by deeply expressive playing, tactile electroacoustic interplay and a shared politics of resistance and defiance.
Commissioned by OUTLANDS, produced by Qu Junktions and supported by Arts Council England and Esmée Fairbairn Foundation.
Listen to their NTS 2 Radio takeover here
Anyone who purchases a student ticket will have to bring valid student ID with them
Matana Roberts is an internationally renowned composer, band leader, saxophonist, sound experimentalist and mixed-media practitioner. Roberts works in many contexts and mediums, including improvisation, dance, poetry, and theatre, and has released a diverse body of solo and ensemble work under her own name on Constellation and Central Control over the past decade.
She is perhaps best known for her acclaimed Coin Coin project, a multi-chapter work of “panoramic sound quilting” that aims to expose the mystical roots and channel the intuitive spirit-raising traditions of American creative expression while maintaining a deep and substantive engagement with narrativity, history, community and political expression within improvisatory musical structures. Constellation began documenting the Coin Coin project in 2011 and has released the first three of a projected twelve album-length chapters to date.
Kelly Jayne Jones makes use of varying combinations of prepared recordings, text, rocks, found sounds and flute. Her work beckons a tussle with uncertainty, inviting exposure and vulnerability in performance, chasing experiences that open our chasms within, without restraint. Searching for humble principles of growth; physis; sound, connecting with others in the same space/moment, customary experimental play, with threads and beads of improvisation and interactivity.
KJJ has had residencies at Arnolfini in Bristol UK and Kunstalle Bergen, Norway, and has produced commissioned works for Haris Epaminonda at dOCUMENTA13, Tate Modern, ICA London, Schirn Frankfurt, Point Centre Nicosia. She has performed, solo and with part wild horses mane on both sides, at CCA Glasgow, Trieze Gallery Paris, Borealis Festival, Tectonics Reykjavik, Hangar Bicocca in Milan and at Huddersfield Contemporary Music Festival.
Goitt is the solo project of J Cottrell who has long been active in Brighton’s noisey and unusual music scene.
Dense, swampy, and metallic textures mesh into a pulsing, building field of sound, enveloping space around it. Alto saxophone skronk emerges to cut through layers of analogue synth, tape, and other sources punctuating and expressing the human element of performance soaked in electric and synthetic noise.
Please note that Booking Fees apply on the following transactions:
Online: £1.50 per ticket + £1.50 postage or free collection at the Box Office.
Print at home tickets: These can be emailed to you on the account you have registered with DLWP free of charge (booking fees apply)
Telephone: £3.50 per transaction + £1.50 postage or free collection at the Box Office
There will be a cheaper booking fee for events under £10 (booking fee = £1.00) and under £5 (booking fee = 50p).
Free events booked online are not subject to a booking fee.
There is no booking fee for tickets purchased over the counter.
Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be send 10 – 14 days before the show date.
Full terms and conditions can be found here :
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information.
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456
- By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 8pm. After this time parking is free. There is also lmiited free car parking along the seafront.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
Assistance Dogs are permitted into the building.
Please contact the Box Office on 01424 229 111 to arrange a visit.
Facilities for disabled visitors
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
- Large print season brochures
Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.