This year marks the 50th anniversary of one of Africa’s greatest bands, Senegal’s Orchestra Baobab. Adored both at home in Senegal and across the world, Baobab occupy a special place in the history of African music.
Member’s Pre Sale: Thursday 14 October, 10am
General On Sale: Friday 15 October, 10am
Their epic story begins in the heart of Dakar’s Medina in the 1960s and extends across the world and into the 21st century. Featuring a brilliant assembly of diverse musical personalities and encompassing a unique blend of Afro-Latin styles, international pop, West African griot music, and an after-dark West African nightclub ambience of lilting, mellifluous rhythms.
To celebrate this remarkable milestone, the band has announced the issue of their landmark 2002 reunion album ‘Specialist In All Styles’ for the first time ever on vinyl, on September 25th. Alongside this comes a previously unseen video from the archive – a performance of ‘Jiin Ma Jiin Ma’ from their 2015 show at Jazz à Vienne Festival in France.
‘Specialist’ was the first album by the full group since 1982’s legendary ‘Pirates Choice’, a holy grail for African music fans. Recorded at London’s Livingston Studios in just ten days and produced by World Circuit’s Nick Gold with Youssou N’Dour, ‘Specialist In All Styles’ is a definitive illustration of Baobab’s Afro-Latin magic, introducing new material and reinventing some of the old tunes that made them famous.
The record features Baobab’s sublime rhythm section and two of the most distinctive sounds in African music – Barthélemy Attisso’s extraordinary guitar and Issa Cissokho’s atmospheric sax. The band’s five unique lead singers, each with their own contrasting but complementary styles, are joined on the song ‘Hommage à Tonton Ferrer’ by special guests Buena Vista Social Club star Ibrahim Ferrer and Youssou N’Dour.
Pre-order the album here.
The band owes their start to the entrepreneurial force that was Ibra Kassé, club owner, impresario and founder of the Star Band, whose residency at Dakar’s Club Miami in the late 60s made it a notoriously lively joint. Here, Kassé’s band lit up the night with a music flavoured by rhythms from around the world, all flowing into Dakar – one of the great ports of west Africa – from America, Europe, and Cuba, as well as Senegal’s West African neighbours Ghana, Sierra Leone and the Ivory Coast. This eclectic combination of rhythms and styles would all later feed into Baobab’s DNA.
By the start of 1970, at the height of the Star Band’s fame, a new fashionable venue, Club Baobab, opened its doors in Dakar’s European district. Well known as a hangout for those with status and power, the club was built around a baobab tree, and to fire up its musical roster, its well-connected owners poached Star Band singers Balla Sidibe, Rudy Gomis and guitarist Barthelemy Attisso. Bassist Charlie Ndiaye and percussionist Mountaga Koite soon followed, joined by rhythm guitarist Latfi Ben Jelloun, Nigerian clarinet player Peter Udo, and veteran griot singer Laye Mboup.
With that, the stage was set for Orchestra Baobab to set the tempo for a new era of modern Senegalese and African music, drawing through the club’s doors a diverse urban crowd ranging from businessmen and politicians to army officers and expats.
Combining pop, soul and traditional music from across Senegal and beyond, Orchestra Baobab quickly developed a distinctive raft of styles that reflected the cultural mix and the strong musical personalities of its members. Balla and Rudy hailed from Senegal’s culturally rich Casamance, saxophonist Issa Cissokho from Mali, and Latfi from Morocco. Guitarist Attisso – the lawyer-turned-guitarist whose arpeggio runs would become one of the band’s scintillating trademarks – came from Togo, but what bound these myriad elements as tight as a drum skin was a strong Cuban influence, introduced to Senegal by sailors flowing in and out of the Port of Dakar.
Over the next decade, Orchestra Baobab kept evolving with an ever-changing lineup of members and released a number of classic records along the way.
However, by the end of 1983 Baobab had unofficially disbanded, and it wasn’t until Nick Gold and Youssou N’Dour encouraged the group to reform 15 long years later that Orchestra Baobab rose again at their now-famous London Barbican gig in 2001 and received a standing ovation that seemed to go on forever.
As the new century advanced, Baobab’s distinctive heartbeat could be heard once again on 2002’s seductive Specialist In All Styles, and the even more fully realized, 2007’s Made In Dakar.
Ten years on, and Baobab’s lineup has continued to evolve, with some sad departures and some exciting new additions over the past decade. Guitar player Barthemely Attisso moved back to Lomé to continue his career in law, and Ndiouga Dieng and Issa Cissokho sadly passed away in November 2016 and March 2019 respectively. Now, alongside Baobab stalwarts including founding members Balla Sidibé, bassist Charlie Ndiaye and percussionist Mountaga Koité, there’s new rhythm guitarist Yahya Fall (a veteran of the Dakar music scene) and Beninese lead guitarist Rene Sowatche (the most prominent of the many young West African musicians flocking to Dakar for its burgeoning live scene). The horn section now features Benin-born Wilfred Zinzou – a player new to Baobab, but not to Dakar – Senegal’s sole trombonist has long played with Cheikh Lô, and has been a music scene fixture for many years. Amongst the vocalists is Ndiouga Dieng’s son Alpha, who continues the griot tradition in spectacular form.
Under the great Balla Sidibé’s leadership, their critically acclaimed 2017 LP Tribute to Ndiouga Dieng revisited old territories and broke new ground for these beloved West African veterans, and since its release, they have continued to tour worldwide, bringing their rich and much-loved sound to new and longtime fans alike.
Celebrating 50 years as one of Africa’s greatest bands – one whose popularity has taken them around the world – is an achievement few can equal, and while special Anniversary shows have been put on hold as a result of the global Coronavirus outbreak, plans remain in place to celebrate the band and their story through filmed performances and interviews, remixes and playlists, to help the prestigious Orchestra’s global legion of fans celebrate their half-century milestone.
Please note that Booking Fees apply on the following transactions:
Online: £1.50 per ticket + £1.50 postage or free collection at the Box Office.
Print at home tickets: These can be emailed to you on the account you have registered with DLWP free of charge (booking fees apply)
Telephone: £3.50 per transaction + £1.50 postage or free collection at the Box Office
There will be a cheaper booking fee for events under £10 (booking fee = £1.00) and under £5 (booking fee = 50p).
Free events booked online are not subject to a booking fee.
There is no booking fee for tickets purchased over the counter.
Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be sent 10 – 14 days before the show date.
All tickets include a Restoration Levy of £1 and will be subject to an additional £1.50 booking fee per ticket. Postage of tickets adds an additional £1.50 postage charge. Other options include having your tickets emailed to the email registered to your DLWP account to print from home or free collection at the Box Office.
The following are exempt from the Restoration Levy: Learning & Participation events, events associated with exhibitions, family shows that include a child ticket price, OUTLANDS events and Music’s Not Dead events in our Café Bar. Also exempt are those organisations that hire the Pavilion where they are offered a community rate, amateur shows or are in receipt of a concession from Rother District Council.
Full terms and conditions can be found here: dlwp.com/terms-conditions-booking/
Book online: Pre-show dining can be booked online as an add-on when purchasing tickets for selected events. You will be purchasing a ticket to guarantee your meal before the show.
Please note you must be a ticket holder to the show to book pre-show dining.
Already booked your tickets? If you’ve already booked tickets for a show and would like to add dining, please contact Box Office: email@example.com
On the night: If you have pre-booked please come to the bar to order from the gig menu and sit at one of the reserved tables.
Please be aware that we operate no re-entry for gigs. This means that once you have entered the building, you cannot go out and re-enter. This policy is in line with other major music venues across the UK and put in place on police advice. No re-entry is clearly signposted as you come through security on the front door.
There is a fenced-off area on the terrace for people who go out to smoke or vape.
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information.
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456
- By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 8pm. After this time parking is free.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
Assistance Dogs are permitted into the building.
Please contact the Box Office on firstname.lastname@example.org to arrange a visit.
Facilities for disabled visitors
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
- Large print season brochures
Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.