The art of concise presentation. Curated by Sweet and Dandy as part of Coastal Currents Festival
6.30 – 9.30pm
Doors – 6.30pm
Start – 7pm
Bar closes — 9.30pm
A panel of inspiring speakers will show 20 images, each for 20 seconds, and present their ideas in just 6 minutes and 40 seconds!
The presentation format was devised by Astrid Klein and Mark Dytham of Klein Dytham architecture. They held the first PechaKucha 20×20 Night in Tokyo in 2003, and now support a global network of events happening in over 900 cities.
Share knowledge and ignite new ways of thinking!
Please purchase tickets in advance as we regularly sell out.
Alex Brattell is a commercial and editorial photographer. His personal darkroom prints exploring mind and perception, ‘an ongoing psychological reportage’, form a continuous thread through his career and have been widely exhibited. Brattell started photographing in 1981 for the Liverpool music & arts fanzine Breakout and now works as a photographer for artists, performers, galleries and cultural institutions. He has been a visiting lecturer at British art colleges since 1996 and has photographed the Coastal Currents Arts Festival since 2011.
For the last 25 years I have worked in the Arts and in Education. I trained as an actor at Rose Bruford and I was the Artistic Director for 2 leading fringe theatres in South London. After moving to Hastings in 2004 with my husband and 3 sons I have worked at a senior level in Education, created a holistic wellbeing centre in a local secondary school and co created The Eggtooth Project. I am a connector and I thrive on linking people and places to places and people and most importantly I love connecting people with people. I have done this all my adult life.
Artist, Curator, Lecturer & Researcher RCA who draws a lot, doesn’t like Elgar, but is very impressed by chipboard & empty car parks.
Burgoyne was born in Glasgow Scotland, studied at HAK Vienna & MA painting Royal college of Art London.
He engages in a broad based site- specific drawing practice that embraces film, live performance and wall drawing; Lectures in fine art & critical theory in France, Belgium, Canada & Russia; Curates exhibitions & Presents at Conference.
Burgoyne unites office materials ranging from post-it notes to highlighter pens and photocopy paper alongside process led, rule based repetition, endurance, accumulation and duration.
Taking anomalies of the space, he seeks to test or expand alternative body/site relations with regard to space and thinking.
The results are immersive, be they absurd or beguiling taking the form of site-specific wall drawings, films, performances and installations.
Burgoyne proposes new dialogues and frameworks that seek to generate a condition of becoming, translation and flux instead of stasis; a site of experience rather than merely location.
Emily Peasgood is an award-winning composer and artist. From interactive sound works for galleries and public spaces to intimate installations and large-scale community projects, her work uses intricate sound and technology design to focus on creating a connection between people and locations that have become forgotten and unvalued, often rooted in political realities. Peasgood’s work is described as magical (The Times), evocative (The Telegraph), and memorable (A-N). Recent works include: The Illusion of Conscious Thought (Coastal Currents, 2018), Requiem for Crossbones (Merge Festival, 2018), Halfway to Heaven (Folkestone Triennial 2017), and BASCA nominated BIRDS and other Stories (2017).
Deborah Bowness, grew up in Yorkshire and has been designing, making and exhibiting wallpaper since 1999. Today she lives and works in St Leonards‐on‐Sea. Here Deborah has set up a print room, printing wallpapers and dispatching them to clients across the world. Graduating from Leeds College of Art & Design with a BA(Hons) in surface pattern and textile design, Deborah went on to obtain an MA(rca) in constructed textiles from the Royal College. It was at the RCA when Deborah began to challenge preconceived notions of wallpaper and wallpapering.
Director/camera/editor of arts and music documentaries.
Film curator for Hastings Coastal Currents Festival and Hastings Filmmakers; Partner – Shoot on Site studio, St Leonards – www.shootonsite.org; Studio manager at Broadley Studios, London film and TV studio 1988-2018.
Arts films include: “The Catch” with Laetitia Yhap; “Timelines” with Roland Jarvis; “Hear Now” with Trevor Watts; Super 8 projects for Coastal Currents: “Hand me Down” 2017, “Rites & Rituals” 2015, “Seaside Super8” 2014
Film credits as lighting gaffer include: “Dreams of a life”, “The Falling” and “Edge” (Dir: Carol Morley), “Ghosts” and “Battle for Haditha” (Dir: Nick Broomfield), “The Road to Guantanamo” and “The Emperor’s New Clothes” (Dir: Michael Winterbottom), “The Wicker Tree” (Dir: Robin Hardy), “Pressure” (Dir: Ron Scalpello), “Chemical Wedding” (Dir: Julian Doyle), “Winterlong” (Dir: David Jackson)
Documentaries include: “Bruce Springsteen story” BBC4, “Roy Orbison” BBC4 Dir: Nigel Cole
TV series as lighting camera operator include: “Movie Lounge” Channel 5, “Horror Bites” Horror Channel, “Back to the 1950’s” BBC, “Heart of the Soul” Gary Zukav (US), “Paul McKenna Show” (US), “Media Review” Dartmouth Films
BFI Extra with Mark Kermode.
Corporate webcasts and training videos for a wide range of clients including Publicis, Accenture, GSK, Pearson, BBC, ITV, Channel 4.
Dartford Grammar School
The Drama Centre London (Graduate degree equivalent)
Grant Cieciura is a member of the Speculative Art collaboration Antivoid Alliance. A-A have a shared interest in utilising hyperstition as a methodology for creating xeno-futurist artworks and performances. Their work tests contemporary attitudes to technological progress and probes anxieties regarding the emergence of the suprahuman.
Grant has exhibited exhibited at venues such as, Newhaven Fort (Fort Process), Theatre Royal Brighton, Green Door, De La Warr Pavilion, Latitude, Romney Marsh Festival and Scheveningen pier (TodaysArt festival, Holland).
I am Statis Beatnik, a digital creative. I make Music, Video, Images, Photography, Graphics, DJ, Design and more…..all digitally. I have created videos and visuals for Brands from Montblanc to Kellogs, produced music for Kelis, All Saints, Thundercat & Google, DJ’d in Ministry of Sound, watching sunrise in Ibiza and on a beach in Norway, directed Events for Bacardi, L’Oreal and Redken and even opened for Janelle Monae!
Please note that Booking Fees apply on the following transactions:
Online: Tickets booked online are subject to booking fees when purchased through our website. E-tickets for print at at home are emailed instantly on the account you have registered with DLWP and are free of charge. They can also be downloaded from our website within My Account.
Telephone: £3.50 per transaction + £2 postage or free collection at the Box Office.
In Person: There are currently no charges for booking tickets in person.
There is a £2 charge to post tickets.
We strongly recommend ticket buyers to take out Ticket Protection insurance with Secure My Booking available when you book your tickets at check out.
Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be sent 10 – 14 days before the show date.
Full terms and conditions can be found here.
Book online: Pre-show dining can be booked online as an add-on when purchasing tickets for selected events. You will be purchasing a ticket to guarantee your meal before the show.
Please note you must be a ticket holder to the show to book pre-show dining.
Already booked your tickets? If you’ve already booked tickets for a show and would like to add dining, please contact Box Office: email@example.com
On the night: If you have pre-booked please come to the bar to order from the gig menu and sit at one of the reserved tables.
Please be aware that we operate no re-entry for gigs. This means that once you have entered the building, you cannot go out and re-enter. This policy is in line with other major music venues across the UK and put in place on police advice. No re-entry is clearly signposted as you come through security on the front door.
There is a fenced-off area on the terrace for people who go out to smoke or vape.
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information.
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456
- By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 7pm. After this time parking is free.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
Assistance Dogs are permitted into the building.
Please contact the Box Office on firstname.lastname@example.org to arrange a visit.
Facilities for disabled visitors
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
- Large print season brochures
Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.