GRAMMY® Award-nominated legend Richard Thompson returns to DLWP this summer!
“THE FINEST ROCK SONGWRITER AFTER DYLAN AND THE BEST ELECTRIC GUITARIST SINCE HENDRIX.”
– LOS ANGELES TIMES
“Powered by evocative songcraft, jaw-dropping guitar playing, and indefinable spirit, Richards Thompson’s influence can’t be overstated. Everybody from Robert Plant, Don Henley, and Elvis Costello to REM, Sleater-Kinney and David Byrne has covered his music…”
6pm Building Opens
6.45pm Auditorium Doors
8.20pm Richard Thompson
10pm Show End
All timings are approximate and subject to change
In 2017, Ivor Novello Award-winning and GRAMMY® Award-nominated legend Richard Thompson gave himself up to the music itself. Picking up a guitar, emotions echoed through his deft fleet-fingered fretwork, poetic songwriting, impassioned picking. Those transmissions comprise his nineteenth solo album, 13 Rivers.
“I never really think about what songs mean,” he admits. “I just write them. Some of them reflect on what happened a few months ago or even a year ago. It’s a process of surveying my life and where I was at.”
In 2017, Thompson began composing ideas for what would become 13 Rivers at his California home. Off the road, he focused on writing. As a result of the defined time period, the music possessed a distinct cohesion.
“I wrote the songs as a group to hang together,” he elaborates. “They belong together in some way and seem to possess a commonality since they were written in the same time and space.”
To capture this vision, he retreated to the famed Boulevard Recording Studio in Los Angeles. Known previously as ‘The Producers Workshop’ and once owned by Liberace and his manager, the locale served as the site for seminal classics by Steely Dan, Fleetwood Mac, Ringo Starr, and Joan Baez. It also hosted the mixing sessions for Pink Floyd’s The Wall. Notably, this marked the first time Thompson self- produced in over a decade and he opted to track analog in just ten days. Engineered by Clay Blair (The War on Drugs), usual suspects Michael Jerome [drums, percussion], Taras Prodaniuk [bass], and Bobby Eichorn [guitar] joined him.
“It’s a funky studio that was quite popular in the sixties and seventies,” he says. “It used to be Hollywood trendy, but it fell into total disrepair. It’s still got some gaps in the walls. I like studios that are honest. It’s about the décor of the sound, and there’s a specific sound to Boulevard. Clay is a Beatles nut, so I could grab a Gretsch off the wall or dial into an amp that had this unbelievable tone reminiscent of The Beatles. They also say Liberace’s ghost still haunts the place, but I hadn’t seen him myself,” laughs Thompson.
13 Rivers commences on the tribal percussion and guitar rustle of “The Storm Won’t Come” as the artist bellows, “I’m looking for a storm to blow through town.” The energy mounts before climaxing on a lyrical electric lead rife with airy bends and succinct shredding.
“Obviously it’s been a stressful couple of years,” he sighs. “The song references wanting to change your life—but it’s a difficult undertaking. You have to wait for it to happen naturally. You can’t force it.”
Elsewhere, Her Love Was Meant For Me spirals into an emotionally charged display of fret fireworks punctuated by his deep wail. Tears shakes and shuffles from haunting verses towards a hypnotic refrain “about a friend’s hard and interesting life.”
Meanwhile, the dreamy Shaking The Gates unfolds like a hymnal as he croons, “I’m shaking the gates of heaven.”
“The are 13 songs on the record, and each one is like a river,” he explains. “Some flow faster than others. Some follow a slow and winding current. They all culminate on this one body of work.”
In many ways, his career has pointed towards such a statement. Powered by evocative songcraft, jaw-dropping guitar playing, and indefinable spirit, this venerable icon holds a coveted spot on Rolling Stone’s 100 Greatest Guitarists of All Time and counts a Lifetime Achievement Award from the Americana Music Association in Nashville, and a Lifetime Achievement Award from the BBC Awards among his many accolades. 2011 saw Thompson garner an OBE (Order of the British Empire) personally bestowed upon him by Queen Elizabeth II at Buckingham Palace. Moreover, Time touted his anthem, 1952 Vincent Black Lightning, on its 100 Greatest Songs Since 1923 list.
Thompson’s influence can’t be overstated. Everybody from Robert Plant, Don Henley, and Elvis Costello to REM, Sleater-Kinney and David Byrne has covered his music.
Wilco’s Jeff Tweedy jumped at the chance to produce 2015’s Still – which earned plaudits from Pitchfork, The Guardian, Rolling Stone, and more. Meanwhile, Werner Herzog tapped him for the soundtrack to Grizzly Man. He launched his career by co-founding trailblazing rock outfit Fairport Convention, responsible for igniting a British Folk Rock movement.
However, 13 Rivers represents another high watermark. “The songs are a surprise in a good way,” he leaves off. “They came to me as a surprise in a dark time. They reflected my emotions in an oblique manner that I’ll never truly understand. It’s as if they’d been channelled from somewhere else. You find deeper meaning in the best records as time goes on. The reward comes later.”
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There is a fenced-off area on the terrace for people who go out to smoke or vape.
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information.
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456
- By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 7pm. After this time parking is free.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
Assistance Dogs are permitted into the building.
Please contact the Box Office on firstname.lastname@example.org to arrange a visit.
Facilities for disabled visitors
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
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Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.