Featuring legendary reggae and dub artist from the era, Adrian Sherwood.
Support from: RUTS DC
“We’re delighted to be joining Adrian Sherwood and the rest of the stellar line-up at DLWP on 18 September”
- BBC Introducing favourites, Hot Wax
- DJs Wendy May vs Remi Vibesman
Book your tickets
Max 4 tickets per order on early bird.
SUPER EARLY BIRD £5 SOLD OUT
EARLY BIRD £10 SOLD OUT
FIRST RELEASE £15 SOLD OUT
SECOND RELEASE £20
FINAL RELEASE £25 Unreleased
About the line-up
For more than three decades, Adrian Sherwood has been consistent in breaking new ground with his productions. The founder of the fiercely independent cult label On-U Sound, Adrian’s name is celebrated by anyone with an interest in dub, reggae, punk, post-punk, industrial, bass music and experimentalism. Unsurprisingly a musician’s musician, Adrian has produced and remixed everyone from The Slits, to Nich Inch Nails, Depeche Mode to The Fall, Blur to Einsturzende Neubauten, Primal Screen and more. More recently his remixing and production skills are sought after by Dubfire, Mark Lanegan and Leftfield to name a few.
Adrian has built up a colossal body of work whose diversity is hallmarked by his unique bass-anchored sound. And his name draws reverence or his unparalleled works with collaborators such as Prince Far I, Lee Scratch Perry, Horace Andy and Mikey Dread.
Remi Vibesman’s passion for music started aged 9 when his parents took him to the Festac 77 month long Festival, known as the World Black and African Festival of Arts and Culture held in Lagos, Nigeria. The month-long event showcased over 16,000 participants, including Fela Kuti, Stevie Wonder and many more artists on the international stage.
He began his career in the industry through the creation of WaxCity Music, a vinyl record store in London. He started the independent record labels Big Cheese Recordings, Freshmess on Wax and Phat Vibes Recordings pushing the independent soul, acid jazz, house, trip hop, nu jazz and hip hop scene internationally. He worked professionally as a recording artist creating productions under the names, The Retravibe Movement and Phunk Not Punk and Hookian Mindz. The music received heavy DJ rotation by such international DJs as Norman Jay and Soul II Soul leader Jazzy B.
More recently he’s the man behind HiddenBeach, an events organisation & collective promoting music as diverse as Afrobeat, Soul, Funk, Jazz, Disco & House. He works with both local and international artists and DJ’s including more recently Crazy P, Kraak & Smaak, The Young Disciples’ Femi Fem and Horse Meat Disco’s DJ Severino. Remi Vibesman also fundraises for charity by performing yearly 24hr non stop solo vinyl DJ sets in his hometown of Hastings and holds the unofficial world record for the number of times completed with a vinyl only DJ set.
For as long as Wendy May can remember, life was never going to be straightforward, she always knew it would hold more than her South London working class roots would have her believe. Music saved her from a life of boredom and poverty, firstly becoming the “punk buyer” for Virgin Records in Swansea & then Manager at Notting Hill Gate branch at a time when the Clash, Elvis Costello and the like were regular customers. She filled her life with gigs, and eventually in the early 80’s she joined the hillbilly punky ska band The Boothill Footappers. Label mates with Billy Bragg and the Housemartins, they toured extensively and had a radio hit with their first single “ Get your feet out of my shoes” hailed by the NME as “ the thinking woman’s answer to Tammy Wynette’s “Stand by your Man”.
After extensive touring and some John Peel sessions they eventually signed to Phonogram and made an album in 85, which featured the legendary John Martyn on guitar.
Taking 10 musicians out on the road in the back of a van eventually took its toll and the band broke in 86.
Wendy went on to start a clubnight at Kentish Town’s “Town & Country Club” on Friday nights called “Wendy May’s Locomotion” which regularly pulled in 2000 clubbers and is featured in Nick Hornby’s book “ 31 Songs” as he was a regular and big fan.
Seen as a welcome alternative to some of the pretentious clubs in London at the time, there was no dress code and the music was soulful, wild and real. Frequented by the likes of Madness, Elvis Costello, Paul Weller, it became home from home for Camden boys The Pogues. Norman Cooke aka Fatboy Slim did one of his first ever DJ sets warming up for Wendy when he was just the bass player with The Housemartins, and Phill Jupitus first took to the decks at her club!
In ‘87 she co-presented the last series of The Tube for Channel 4 with Jools Holland & Paula Yates whilst also being the only female DJ & “youth presenter” on London’s Capital Radio, giving live sessions to up & coming bands.
DJing for the past 35 years, including Glastonbury, Miner’s Strike benefit gigs, tours with various bands and comedians, she is still happiest dancing behind the decks spinning her favourite records from her collection!
Now living in Hastings, you can find Wendy May every month on Eddie Piller’s Totally Wired Radio Station, at the now legendary Chez 66 club in Soho, Modcast & Locomotion nights and also as a guest DJ at many a club/gig across the South of UK
Tipped as one to watch, Hot Wax have already had their material played on BBC Radio Introducing, BBC Radio 6 and Radio 1.
They’ve also got the attention of successful and critically acclaimed songwriter/ drummer/ recording artist, Joel Amey of the Brit Alt – rock and Mercury Prize winning band, Wolf Alice. Joel bigged the band up and picked them as one of his favourite new artists when talking to Jack Saunders during Jack’s popular Radio 1 show…… “Oh man! If they’re doing this now, the world is their oyster!” – Joel Amey.
The band have a number of festivals and gigs booked over the summer, one of which they’ll be supporting fellow Hastonians, Kid Kapichi.
Words from Audiotrope.
We are asking all ticketholders to demonstrate their COVID-19 status for this event.
Please see below for full details.
In order to keep everyone safe, we are asking all ticketholders to demonstrate their COVID-19 status by showing one of the following:
PROOF OF FULL VACCINATION – both vaccine doses received (with the second at least 14 days prior to arrival at DLWP)
Please use the NHS COVID Pass to show your vaccination status using the NHS App or use the NHS website to download it as a PDF or get it sent to you in an email.
You can also get a paper version sent to you in the post. You do not need to be registered with a GP surgery or have an NHS login for this. You can get a letter (within 5 working days) by requesting a COVID Pass letter online or calling NHS 119.
We cannot accept vaccine cards issued at vaccination centres as proof of vaccination.
PROOF OF A NEGATIVE NHS LATERAL FLOW TEST – taken less than 24hrs before arriving at the DLWP.
You will need to demonstrate your negative NHS Lateral Flow Test result by showing us one of the following:
Text OR email confirmation of your result
OR by using the NHS COVID Pass, available through the NHS App
OR as a letter that can be requested by ringing NHS 119 (England, Wales and Northern Ireland) or Scotland 0300 303 2713
PROOF OF NATURAL IMMUNITY – based upon a positive PCR test within 180 days of arrival at DLWP (and after the 10 day self-isolation period following the result).
Please use the NHS COVID Pass to show your positive PCR test within the past 6 months using the NHS App or the NHS website, after you’ve finished self-isolating and up to 180 days after taking the test.
Please note, we will be carrying out random Covid Pass checks at the Main Front Doors and you may be denied entry if you fail to provide proof of your Covid-19 status.
Please note that Booking Fees apply on the following transactions:
Online: £1.50 per ticket + £1.50 postage or free collection at the Box Office.
Print at home tickets: These can be emailed to you on the account you have registered with DLWP free of charge (booking fees apply)
Telephone: £3.50 per transaction + £1.50 postage or free collection at the Box Office
There will be a cheaper booking fee for events under £10 (booking fee = £1.00) and under £5 (booking fee = 50p).
Free events booked online are not subject to a booking fee.
There is no booking fee for tickets purchased over the counter.
Please note that we are only able to post tickets within the UK. If you live overseas please select box office collection or print at home tickets. Tickets purchased for post will be sent 10 – 14 days before the show date.
All tickets include a Restoration Levy of £1 and will be subject to an additional £1.50 booking fee per ticket. Postage of tickets adds an additional £1.50 postage charge. Other options include having your tickets emailed to the email registered to your DLWP account to print from home or free collection at the Box Office.
The following are exempt from the Restoration Levy: Learning & Participation events, events associated with exhibitions, family shows that include a child ticket price, OUTLANDS events and Music’s Not Dead events in our Café Bar. Also exempt are those organisations that hire the Pavilion where they are offered a community rate, amateur shows or are in receipt of a concession from Rother District Council.
Full terms and conditions can be found here: dlwp.com/terms-conditions-booking/
Please be aware that we operate no re-entry for gigs. This means that once you have entered the building, you cannot go out and re-enter. This policy is in line with other major music venues across the UK and put in place on police advice. No re-entry is clearly signposted as you come through security on the front door.
There is a fenced-off area on the terrace for people who go out to smoke or vape.
- By Rail
Direct trains go from London Victoria, Brighton and Ashford to Bexhill.
There are also trains from London Charing Cross, changing at St. Leonards Warrior Square and from London Bridge or Charing Cross going to Battle. Battle is only a short taxi journey away (15 mins approx).
Visit www.nationalrail.co.uk for up-to-date train travel information.
Town Taxis: 01424 211 511
Parkhurst Taxis: 01424 733 456
- By Car
If driving from the London area:
Take the M25, then A21 to Hastings. Turn off at John‘s Cross and follow the signs to Bexhill.
Take the A22 to Eastbourne, go across the Bishop roundabout to the A271 and follow the signs to Bexhill and the seafront. The De La Warr Pavilion is on the Marina.
From the Brighton area:
Follow the A27 out of Brighton until you arrive in Bexhill On Sea.
Please be aware the Rother District car park outside the De La Warr Pavilion operates paid parking until 8pm. After this time parking is free.
Within the limits of this Grade One listed building, the De La Warr Pavilion strives to be fully accessible with a range of facilities to support your visit.
Assistance Dogs are permitted into the building.
Please contact the Box Office on firstname.lastname@example.org to arrange a visit.
Facilities for disabled visitors
- Ramped access at the front of the building
- A low counter at the Box Office and Information Desk
- Disabled toilets on two floors
- A lift to all floors
- Accessible galleries on both floors
- An accessible Café
- Spaces for wheelchairs in the auditorium for seated events
- Ramped access in the auditorium for events during the day
- Ramped access into the Studio
- Two travel wheelchairs are available for use at the De La Warr Pavilion. To reserve, please call our box office and information desk on (01424) 229111 or ask a member of staff on arrival. The chairs are provided on a first come, first served basis and are intended for use inside the Pavilion. Please contact us for more information.
Facilities for blind or visually-impaired
- Large print season brochures
Facilities for the hard-of-hearing
- An T-Switch induction loop in some areas of the auditorium (please indicate when booking as this facility is not available on the balcony)
- British Sign Language interpretation tours of the building and exhibitions are available on request.