A major solo exhibition by Cornwall-based artist Lucy Stein.

  • Lucy Stein: Wet Room, 2022, Installation view, De La Warr Pavilion, Bexhill-on-Sea. Commissioned and produced by Spike Island, Bristol. Photography: Rob Harris.

  • Lucy Stein: Wet Room, 2022, Installation view, De La Warr Pavilion, Bexhill-on-Sea. Commissioned and produced by Spike Island, Bristol. Photography: Rob Harris.

  • Lucy Stein: Wet Room, 2022, Installation view, De La Warr Pavilion, Bexhill-on-Sea. Commissioned and produced by Spike Island, Bristol. Photography: Rob Harris.

Obsessive, unashamedly emotional and loaded with a strong psychological charge, Stein’s work incorporates a heady mixture of styles and references. Weaving together personal experiences with feminist and psychoanalytic theory, mythology and religion, her drawings, paintings and installations draw upon the concept of the ‘female gaze’ to question the representation of women in art history. Since moving to St Just, Cornwall in 2015, Stein has become deeply involved in the history and folkloric traditions of the Cornish landscape.

The exhibition is inspired by the fougou: narrow Neolithic underground passages unique to West Cornwall that lead to womb-like chambers and have become sacred sites of worship. Echoing the ritual rebirthing ceremonies that are believed to have taken place within these uterine caverns, the exhibition centres around an installation comprising a bathtub and sink with running taps, surrounded by tiled walls that have been hand-painted with scenes relating to the artist’s study of western esoteric traditions.

Surrounding this central installation is a series of new paintings and drawings made during Stein’s second pregnancy and throughout the Covid-19 pandemic, which reflect on a period of intensive domestic caregiving and anxiety. They combine Greek mythology, esoteric culture, and ecclesiastical and medieval imagery with vibrant tableaus that depict a wide range of western female archetypes. Through these works Stein brings in the notion of the numinous – a religious or spiritual quality – in an attempt to describe the real, the symbolic and the imaginary.

Stein has responded to the modernist history and coastal setting of De La Warr Pavilion to evoke the genius loci or spirit of this meeting point between land and water. The figures represented in each work face out to the sea through the windows, catching upon their tiled and painted surfaces the subtle shifts in light and shadow as the sun moves across the horizon, eclipsed by the monumental form of Beachy Head in the distance. A new tile-based work, made especially for De La Warr Pavilion, depicts the Greek goddess Persephone, queen of the underworld and goddess of springtime, who also gazes outwards. Her presence within the exhibition alludes to the original design of the Pavilion, which included a 26ft high sculpture of Persephone by artist Frank Dobson that was intended to stand in front of the building, a fold of cloth in hand as if preparing to enter the sea. Incomplete and lost when WWII broke out, Stein conjures and reconstructs the memory of Dobson’s sculpture in the present.

Loaded with wittiness and humour, the works in Wet Room challenge the different clichés and stereotypes that have shaped the interpretations of esoteric culture and the female psyche for decades.

Lucy Stein: Wet Room is commissioned and produced by Spike Island in Bristol, where it was on display from 25 September 2021 to 16 January 2022.

 

About the artist

Lucy Stein has been based in St. Just, Cornwall since 2015. She studied at The Glasgow School of Art, and later at De Ateliers in Amsterdam. Recent solo exhibitions include Thesmophoria (including the performance lecture Bride of Quiet) Galerie Gregor Staiger Milan (2020); Digitalis Purpurea (a re-introspective), Conceptual Fine Arts, Milan (online) (2020), £10.66, Palette Terre, Paris (2018); Crying the Neck, NICC Brussels (with Nina Royle) (2017); On Celticity (organised with Paola Clerico), Rodeo Gallery, London (2016). Her work has been included in group exhibitions at Futura, Prague (2020); Bonington Gallery, Nottingham (2019); Tate St Ives (2018); TULCA festival, Galway; Newlyn Gallery, Penzance (all 2017); Le Bourgeoise, London (2016); UKS Oslo (2015). In 2017 she co-organised Fuck you wheres my Suger, a two-day festival celebrating depression and hysteria at Cafe Oto in London with Mark Harwood. In 2016 she co-curated NEO-PAGAN BITCH-WITCH! at Evelyn Yard, London with France-Lise McGurn and in 2015 she organised the performance event The Wise Wound with Tate St Ives and Porthmeor studios.

RESOURCES

Inventory: Lucy Stein booklist

Below are all the books you can find in the reading area in Lucy Stein’s Wet Room. Keep an eye out for the asterisk next to certain titles, which means they can be found in our shop!

  1. Katherine Angel, Daddy Issues, Peninsula Press
  2. Amy Hale, Ithel Colquhoun: Genius of The Fern Loved Gully, Strange Attraction Press
  3. Rachel Cusk, A Life’s Work, Faber Modern Classics*
  4. Simon Critchley, Notes on Suicide, Fitzcarraldo Editions
  5. Sylvia Plath, Ariel, Faber Modern Classics*
  6. Rob Young, Electric Eden. Unearthing Britain’s Visionary Music, Faber and Faber*
  7. Sigmund Freud, On Murder, Mourning and Melancholia, Penguin Modern Classics*
  8. Zadie Smith, Intimations, Penguin
  9. Sigmund Freud, Dreams, Cosimo Classics*
  10. Silvia Federici, Caliban and the Witch, Autonomedia*
  11. Audre Lorde, Sister Outsider, Crossing Press*
  12. Penelope Shuttle & Peter Redgrove, The Wise Wound, Marion Boyars Publishers
  13. Agata Pyzik, In Praise of Vulgar Feminism (Printed article)
  14. Jacqueline Rose, Life after death: how the pandemic has transformed our psychic landscape (Printed article)
  15. Daisies, Introduction by Lucy Stein (Printed article)
  16. Ithell Colquhoun, The Living Stones: Cornwall, Peter Owens Publishers
  17. Michel Foucault, The History of Sexuality, Volume 1, The Will to Knowledge, Penguin
  18. Anwen Crawford, Live Through This, Bloomsbury Academic
  19. Chris Stephens, Peter Lanyon: At the edge of landscape, 21 Publishing
  20. Anne Carson, Eros the Bittersweet, Princeton Legacy Library
  21. Joan Didion, Play It as It Lays, Fourth Estate
  22. bell hooks, All about love, William Morrow
  23. Julia Kristeva, Powers of Horror: An Essay on Abjection, Columbia University Press
  24. Shulamith Firestone, The Dialectic of Sex, Quill
  25. Jacqueline Rose, Mothers: An Essay on Love and Cruelty, Faber & Faber*
  26. Marija Gimbutas, The Living Goddesses, University of California Press*
  27. Rachel House, Resistance, Sustenance, Protection, Self-published*
  28. Astrida Neimanis, Bodies of Water: Posthuman Feminist Phenomenology, Bloomsbury
  29. Kathy Acker, Pussy, King of the Pirates, Grove Press
  30. Eileen Agar, Angel of Anarchy, Whitechapel Gallery
  31. Shola von Reinhold, LOTE, Jacaranda Books
  32. Starhawk, Dreaming the Dark: Magic, Sex & Politics, Beacon Press
  33. Amia Srinivasan, The Right to Sex, Bloomsbury Publishing
Wet Room Activity Sheet

Explore Wet Room with this Activity Sheet designed by Janey Moffatt. Look for mythical creatures and draw what you see through the portal mirror!

Access the resource HERE

Take a look at all our other learning resources on our learning page, which you can access directly here

Glossary of Terms

Click here to view the glossary for Wet Room