The De La Warr Pavilion’s 2019 exhibition programme begins on February 9 with Still I Rise: Feminisms, Gender, Resistance, Act 2. Over 50 artists, designers, architects and archives are brought together in conversation across time and space to consider resistance from a gender perspective, spanning the 19th century to the present and beyond. Co-curated with Nottingham Contemporary where Act 1 opened last year, the exhibition is recalibrated for Act 2 to focus on architecture, design and the politics of space.
Act 2 includes: Fanny Adams, Jane Addams/Hull-House, Amina Ahmed, Alice Constance Austin, Xenobia Bailey, Glenn Belverio (Glennda Orgasm), Micha Cárdenas, CARYATIDS (Chicks in Architecture Refuse to Yield to Atavistic Thinking in Design and Society), Carolina Caycedo, Judy Chicago, Phyllis Christopher, Jackie Collins and Pat Garrett, Jamie Crewe, Blondell Cummings, Dyke Action Machine!, Feminist Land Art Retreat, Guo Fengyi, Carl Gent, Eduardo Gil, Kaveh Golestan, Gran Fury, Rachael House, Charlotte Johannesson, Jesse Jones, Corita Kent, Donna Kukama, Suzanne Lacy, Ellen Lesperance, Zoe Leonard, Sheila Levrant de Bretteville, Mary Lowndes, Matrix Feminist Design Co-operative, Louise Michel, Ad Minoliti, Okwui Okpokwasili, 0rphan Drift, Lucy Orta, Brenda Prince, Tabita Rezaire, Lala Rukh, Zorka Ságlová, See Red Women’s Workshop, Tai Shani, Terence Smith (Joan Jett Blakk), Linda Stupart, Ramaya Tegegne, Gille de Vlieg, VNS Matrix, Jala Wahid, Faith Wilding, Zadie Xa, Osías Yanov.
Opening the same day, Hayv Kahraman’s solo exhibition Displaced Choreographies brings together painting, drawing, sculpture and performance in an exploration of migrant consciousness. A recurrent female figure evokes shared histories between women, particularly women of colour, combining the artist’s personal history with “stolen” references including European Renaissance imagery, Iranian and Japanese miniature traditions.
The De La Warr Pavilion is the lead partner in OUTLANDS, the new national touring experimental music network; it will present a new commission, Ecstatic Material, by Keith Harrison and Beatrice Dillon on February 15.
Visit OUTLANDS Network for information.
The Chicago Imagists influenced some of the most important artists of the 20th century. Their first UK show in almost 40 years, How Chicago! Imagists 1960s & ’70s opens on June 15 and features paintings, objects, drawings, prints and ephemera, highlighting the artists’ individual styles, shared references and moments of connection. The show features 14 artists: Roger Brown, Sarah Canright, James Falconer, Ed Flood, Art Green, Philip Hanson, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca, Barbara Rossi, Karl Wirsum and Ray Yoshida. Organised by Hayward Gallery Touring in collaboration with the De La Warr Pavilion and Goldsmiths Centre for Contemporary Art.
Our summer programme celebrates and interrogates the legacies of the Bauhaus in our First Floor Gallery. Events, workshops, performances and conversations will explore Bauhaus methodologies of “thinking through making,” and how these might continue to be useful. The programme is underpinned by a new commission by Lauren Godfrey, whose sculptures often take the form of domestic scaled objects, quasi-furniture and the almost-useful. In partnership with UCL.
The autumn season begins on September 28 with a major new commission by Mikhail Karikis. It emerges from a year-long residency at Project Art Works, working with people who have complex support needs. Continuing his ongoing enquiry into social and political agency and the power of nonverbal communication, Karikis’ commission will respond to Project Art Works’ charter of rights for those with complex needs. Part of Project Art Works’ Explorers 2019 co-commission programme.
Occupying the First Floor Gallery will be an exhibition of new ceramic and tapestry works by Renee So, created during a residency at West Dean College of Arts and Conservation organised as an open call celebrating the 100th anniversary of the Bauhaus. So’s work often contains fictional personas, borrowed from ancient ritual masks, military and aristocratic portraiture. During her residency she will be paying particular attention to women of the Bauhaus.
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Hayv Kahraman, Hussein Pasha, 2013, Oil on wood. Courtesy Defares Collection
Gladys Nilsson, A Cold Mouth, 1968 © the artist. Courtesy the artist and Garth Greenan Gallery, New York